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Author Archives: mariteaux
Somnolescent Record Club #2: Cage the Elephant’s Thank You Happy Birthday
It’s been about a month since I dug deep into my musical memory banks, so let’s do another edition of that Record Club thing, yeah? To be honest, I’m not used to being this personal when I talk about music. Music has always been the perfect distance from me emotionally, close enough to relate to and enrapture me, but separate enough that I don’t have to share myself much when I share it with others. The idea of regaling the Internet with stories of me as a teenager lost in fantasy thinking of Pokemon OCs while listening to Silversun Pickups and Pixies records is both very fun and kinda embarrassing.
The other good thing about this series is that, because it’s effectively a very casual ramble about how I listen to music and the things I think about when I listen, it doesn’t take long at all to write. That’s good when you got three days to finish and publish it before the month’s out. :blobokhand:
Today’s record brings me right back to middle school, shortly before the world hit me for the first time. It’s a record I still enjoy quite a lot, the noisy, punky, gouged-and-warped pseudo-90s sampler tape that makes up Cage the Elephant’s second album Thank You Happy Birthday. It’s got a 7″ with it!
Somnolescent Record Club #1: Autolux’s Demos (2001-2002)
I’ve written a lot about music. Like a lot. A lot a lot. Usually, when I talk about music, it’s with this air of formality, either giving my opinion or digging into the details and investigating—I’m autistic, this is what I do.
I do listen to music for fun sometimes, though. I put on songs because they’ve been stuck in my head all day. I have characters and ideas I associate with albums and songs and specific times of my life. Sometimes, even—I will throw on a record.
I’d like to start up a monthly all-vinyl blog ramble series called the Somnolescent Record Club. For once, we’re gonna believe all the myths, get into the groove (quite literally), enjoy the tactility of the big art and the wax platters, and I’ll talk about my listening setup and all the things that run through my head when I put on an album. Today’s record is the vinyl-exclusive gold-colored Demos (2001-2002) from the mighty Autolux, whose debut album these demos were for I lived in in high school.
Hopefully, this runs more casual than you might be used to from me—that’s my aim.
The New HTTP Order
Happy new year to all our faithful blog readers! January is always the time for reflection and looking forward to the future, and while I do the personal talk on my personal site, I want to discuss the future of you connecting to this here site network here today. I’ve beaten this drum before, but I’m about ready to puncture a hole in it today, because I’m pretty sure there’s not going to be a drum to beat in the next few years.
I am seeing the death of the HTTP-only connection coming in the next year or two, and I am pissed. I will have to force HTTPS on somnolescent.net, something I have resisted at every turn so far, if we want to remain accessible to the wider Web. Think this is hyperbole? Here’s a nice throwback to ring in 2025—have a steaming hot marf rant to keep you warm in these winter months.
The Number of the Bulb: Cammy’s Greatest Hits
It’s almost midnight here, but that doesn’t mean I can’t still say it: happy Thanksgiving to all our American readers. I had a quick check of what I’d posted on my cammy.somnol journal this time last year, and evidently, I wasn’t a happy camper, but this year, I’m feeling significantly more content. Actually, this might be the most comfortable and pleased I’ve ever been during the holiday season. 2018 and 2022 were ruined by, ahem, suboptimal family situations, 2019, I was in Ohio getting shoved into closet doors, and 2020 and 2021 were stressful for the reasons it was stressful for everyone, but 2024? This year is ending quite nicely.
As I get older, I realize that I’ve largely left behind a pretty angsty, negative legacy as mariteaux, full of “people aren’t doing [x] correctly” and “[x] sucks” and “I’m working on this deficit in my personality”—at some point, a boy’s gotta be a little happier, and I’ve got a lot to be thankful for. I’m gonna ramble about all the things that have gone well for me and all I accomplished this year and am proud of, while it’s late and I’m feeling good and full of alcohol.
How to Host a Site Network for All Your Friends
So about a week ago, I got a very nice email from a Somnolescent reader named Cyrano. I don’t normally post reader mail–for starters, I don’t get enough of it to make mailbag posts a thing–but this time, I got a mailer daemon every time I tried to reply. There’s nothing personal in it, so I’m gonna take the risk and post things on the blog. Hopefully you see this, Cyrano, and you don’t think I simply ignored you. Your reply address isn’t working is all.
Somnolescent has a pretty unique setup as far as little amateur indie Web stuff goes. Everyone on somnolescent.net has their own account where only they can access their subdomains’ files, and potentially the files of domains outside somnolescent.net. Because I know Somnolescent attracts people who are in little online art collectives and Web groups and sometimes would like to know how to start their own site like ours, I’ve elected to lightly edit the book I wrote for Cyrano and post it here to Letters instead. Hopefully, someone finds the information useful.
3-9-7-1-5: Exploring the Expanded Conet Project Boxset
Spring is here, my friends, and that means you’re all probably starting to leave your houses for sunny pastures. I have a bit of paranoia for you to take out there–obscured messages also sent out into the world, ones no one but the people they were meant for have been able to or will ever be able to crack. Who are those people? What do the numbers mean? Who are the Russian Man, the Spanish Lady, the Lincolnshire Poacher, Bulgarian Betty? What is Ciocirlia, the Buzzer, the Tyrolean Music Station? What the fuck does “snudering” mean?
Let me take you on a journey of circumstantial government intrigue. I’ll let the boxset explain before I do, run-ons preserved:
Almost every other piece of information on who is responsible for Numbers Stations comes from the part-time investigations of dedicated listeners. No government or person will admit to transmitting them, and only recently, due to the release of this CD set has GCHQ in the UK made its first ever public station on Numbers Station, saying that, “GCHQ are aware of the existence of Numbers Stations but cannot comment on operational matters”. Do “operational matters” include the ‘The Lincolnshire Poacher’ which is believed to be of British origin? With direction finding equipment it is possible to track down the location of transmitting antennas, and in the case of Numbers Stations which uses extremely powerful transmitters ‘Dfing’ [sic] the more powerful stations has proved an easy task for investigators but what exactly does it mean when you find an antenna farm on US government property blasting numbers in Spanish? Where and who are the recipients?
SomnolCCSO and Reviving an Old, Dead Database Lookup Protocol
On a whim about two weeks ago, I decided to finally start redoing the Somnolescent Gopher server. Gopher is such a throwback, nostalgic thing for me–it was one of the first things we got set up for Somnol right when we first got hosting all the way back in December 2018. Alas, the Gopher had not been touched since 2021, outdated and rather embarrassing for me, so I ripped it all out and got it reassembled. Still working on it, but I think it’s coming out absolutely killer. You can visit it at gopher://gopher.somnolescent.net if you have a capable client, or you can use this HTTP proxy link if you’re just looking at it in your browser.
While Gopher is highly neat, among the culty hipster retro tech geeks, it’s a known quantity. There’s new Gopher clients every year, and Gemini clients oftentimes double as Gopher clients thanks to the similarities of their protocols. Not so with the true subject of today’s post. Today’s topic has no modern server software support (before us, anyway), and accessing it is even tougher, practically requiring Windows 3.1 or a *nix box with Docker and the whole setup around that. I’ve spent the last week doing a deep, deep dive into a protocol so obscure, there’s less than ten servers for it still in existence. And we’re one of them now.
Say hello to SomnolCCSO, my friends. I’ll tell you how we made it happen and how you can try it out for yourself.
Happy Five Years: Further Down the Artsy Rabbit Hole
January 2024 marks two whole years of me taking art seriously. I read back through last year’s art retrospective, and I’m guessing it was partly that one year of progress isn’t a lot in all reality and partly that what progress I did make in 2022 was bumpy (as tends to happen when you start learning a new skill), but I was surprised at how tentative I sounded. I ended off that post with a big fat “pretty good for a first attempt ^^”, if you catch my drift:
It’s good to appreciate how far you’ve come though. In one year, from practically nothing, I’ve made some pretty damn good progress. I think by next year, I’ll have something really special.
Thankfully, if 2022 was the year of trying to draw anything at all, 2023 has been the year of learning to draw confidently. I used to get plagued by a feeling of every drawing being a fluke, that it was just because I had someone’s actual art off to the side while I drew that I made it look anything like what it was supposed to, but I don’t get that anymore. I actually really like what I draw now! It still looks amateurish in spots, but that’s starting to taper off, I think.
Not to say I don’t still have a long way to go, but for actually properly enjoying what I do and feeling confident in it, this year has been very good to me. I understand eyes and snoots now, for one thing… Let’s go back through some highlights of this year, like we did last year, and have a bit more positive to say this time around, shall we?
The mtlx Chronicle II
Back in January 2020, dcb wrote up his search for an elusive indie-electronic EP released on MP3.com: mtlx’s Last Summer. While he located a CD case for it at the library, the disc was missing–and unfortunately, the trail went cold from there.
I’m happy to bring you the entirety of Last Summer now! Yes, it’s been located, along with some words from one of its equally-elusive creators. Better yet, Somnolescent has been given the go-ahead to release a restored and expanded limited edition CD of the EP. Let me bring you up to speed. Apologies if I sound a little odd, it’s been an exciting day.
Happy Five Years: The 2024 Infrastructure Upgrade Plans
Normally at this time, I’d be bringing you the next installment of First Draft, but I just had no desire to work on it this past month despite having a wallop of an album to do it on–chalk that up to working 35 hours a week at retail, I suppose. Instead, given that it’s December and that means the Somnolescent retrospectives and prospectives start rolling off the line soon (five years of the group being officially reborn on the 20th!), I figured I’d ramble a bit about the group instead, and more specifically, updating things around here.
We fell off the site stuff a little over lockdowns, and when things opened back up, obviously, we were more concerned with going outside and getting on with life than updating our silly animal people pages. This has left some of them out-of-date, sometimes woefully so. I think we’re all feeling the desire for it again–dcb_v5 just launched in October, fwd_v2 has just launched–so let me tell you about my own plans to update Somnolescent’s web presence. There’s a lot.