April 1, 2021
Well, it’s been a tradition for me, every April 1st here at Somnolescent, to look back at something Neocities-related. I don’t quite think I’ll be carrying it along after this year, but there’s still one major bit of Neocities ephemera I’ve carried with me, something I unwittingly preserved unlike every other of its kind: my very first site design.
Given that I spent last year discussing my various Supporter’s sites, it’s only fair the main one gets its due too. And given that the other two mariversary posts both focused a bit on me and a bit on the community, I think looking back at just what I was up to will prove more positive, or at the very least, rouse the peanut gallery less.
February 22, 2021
I come back to my “On” series of essays every couple of months to ruminate on little mindset shifts I have and myths and fallacies in the creative process. Whether I’m ever satisfied with them afterwards is less sure, but whatever, they’re cathartic. Worst case scenario, I’ll probably rewrite a few of them and have them on my site proper instead.
Fittingly, today’s little essay is on a weird mental wall I’ve had on the topic of rewrites. It’s easy, hell, the default to make something once and then never return to it. Drafting, building on what you’ve got–isn’t natural at all, but it’s important.
I felt for a long time like I had to get it right on the first shot. Come as I explore that some.
February 2, 2021
One of my biggest pet peeves with being a webmaster is HTTPS. The way that HTTPS is handled on the backend is so invasive, so exclusionary, that it regularly gets in the way of some very basic things I’d like to be able to do around here.
By the end of this year, with few exceptions, somnolescent.net will be going HTTP-only. I’m writing this post in the hopes of staving off any upset or confusion on behalf of you, our loyal readers (and also you, the Somnolians).
January 1, 2021
Happy New Year, everyone! Now that 2020’s over and I have a full year’s worth of data, I figured it’d be fun to look back at how we did as far as our Google rankings and traffic across our network goes. Of course, nothing here is especially mind-blowing as far as the numbers go, but fuck the numbers, it’s just curious to see what people are looking at. There’s lots of line graphs and pie charts too, if you like those. And…I might…
October 27, 2020
I’ve become mildly obsessed with how compression algorithms of various stripes work over the past year. They really do make every bit of our modern computing existence work so smoothly, from gzipping packet data to speed up slow connections to storing vast archives of high quality music on flash drives the size of a ChapStick. Some simply rearrange the data in clever ways, and others take advantage of our weak eyes and ears to throw out 90% of what was once there–and we hardly notice.
Of the lot, the humble PNG is so ubiquitous, it might not even warrant mentioning. Every format has some magic up its sleeve, however, and in the case of PNG, the way they’re encoded usually makes it possible to shrink them after the fact to the tune of up to a few megabytes with no loss in quality. If you make sites, you might wanna take notes.
I recently decided to run a battery of tests to determine just how well PNG works, on what, and what optimizes the best. I’ll give you the rundown on how it works (in-depth but no math, no worries), and then I’ll give you some hard data and lovely charts to peek at, and finally, show you how to get smaller, lighter PNGs at home, no tricks, no catches.
September 24, 2020
Song titles are funny. They’re usually hardly unique, and tons of bands from all across the music spectrum have songs with the exact same title. Spotify’s search is an absolutely useless landfill for this stuff; the song you want will invariably be so unpopular that 200 other identically-titled songs (and in some cases, artists and albums) will come before the one you want. Lovely.
The inspiration for this one came about when I realized I actually know three different songs with the title “Undone”: the Failure song, the Weezer song, and the Josh Joplin song. When I checked through Spotify search, it turned out to be a very popular song name indeed.
So in short, I got curious enough to add the 50 most popular ones to a playlist, listen through, and rank them. I originally wanted to do every single song on the platform named “Undone”, but that’s just not feasible. Even the top 50 was a solid three hours worth of music, and has been hell to put together.
Alas, the Joplin track didn’t make the top 50; if it did, it would’ve probably ranked at #2. Nonetheless, we’ve got a lovely mix of yeehaw music, white girl piano pop, boppy electronica, acoustic torment, Backstreet Boys, and even a few artists who might not even exist. We’re starting at the bottom here, so apologies for the rampant negativity at first. It does get better. Here we go…
August 17, 2020
I’ve said before that I don’t read a whole lot of books. Not to say I don’t have a few on my radar, it just takes me a while. Same goes for video games; I have plenty to play, but I’m usually too busy off in my own world to try them out. Given that it looks like the US will open back up some time after the heat death of the universe (read: plenty of time to myself), I’ve been trying to rectify that.
Today’s topic is one that combines both these worlds in a really curious way: meet Nick Montfort and Ian Bogost’s Racing the Beam.
July 9, 2020
Last summer, I wrote an essay on creating characters with purpose and how adoptable culture seems to miss the point of having lads in the first place. At the time, I remember wanting to do an entire series on these kinds of creative pitfalls, and recently, I’ve been reminded of another stumbling block–this one affecting me probably more than anyone else, amazingly enough.
Let’s talk confidence.
July 8, 2020
The era of Firefox 2.0 on somnolescent.net begins again.
May 9, 2020
Been thinking a lot about simplicity, entropy, and how we’ve come to rely on computers in the past few decades. Here’s an essay about how technology should augment us in being people and nothing more.